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Personal Feedback on 1 Demo

Please send me your 1 song demo (no longer than 5 minutes total) and I will write you an overall critique and offer you advice. Let me know (by writing me a message during the purchase process) if you are looking for focus on any specific areas (i...
- $200
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Personal Feedback on 3 Songs

Please send me 3 song demos (no longer than 5 minutes each) and I will write you an overall critique and offer you advice. Let me know (by writing me a message during the purchase process) if you are looking for focus on any specific areas (i.e. a...
- $500
- Learn More
Submit Your Song

I'm always looking for great songs for my artists. If you think you've got one, send it on over. Don't worry about style as a great song is a great song. No guarantees, but if I like it, I will contact you to negotiate a deal!
- $20
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30 Minute Teleconference

Let's talk if you want career advice, questions about production, what gear I like, or really, anything relating to music. Upon purchase, I will use the Music180 messaging system to correspond with you regarding arrangements. The intention will...
- $300
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Showcase

Audio

Alice Cooper-School's Out

Green Day/U2-The Saints Are Coming

Deftones-Hole In The Earth

30 Seconds To Mars-Capricorn

PLAYLIST

Alice Cooper-School's Out
Green Day/U2-The Saints Are Coming
Deftones-Hole In The Earth
30 Seconds To Mars-Capricorn

Video

Kiss-Detroit Rock City

Jane's Addiction-True Nature

Bob Ezrin-Interview

PLAYLIST

Kiss-Detroit Rock City
Jane's Addiction-True Nature
Bob Ezrin-Interview

Images

Biography

Bob Ezrin was among the most commercially successful producers of the 1970s, helming hit albums for acts including Alice Cooper, Kiss and Pink Floyd. His career began with Cooper's 1971 breakthrough effort Love It to Death, which spawned the singer's first hit, "Eighteen." Killer followed later that same year, and in the wake of 1972's School's Out Cooper ascended to become one of the era's biggest new stars; his success made Ezrin a highly sought-after commodity as well, and in addition to producing the follow-up Billion Dollar Babies, in 1973 he also helmed Lou Reed's classic Berlin, Poco's Crazy Eyes and Flo & Eddie's self-titled LP. Ezrin's collaboration with Cooper extended into the 1980s, and no doubt brought him to the attention of the similarly theatrical Kiss, for whom he produced 1976's smash Destroyer.

Peter Gabriel's self-titled solo debut appeared the next year, and in 1979 he scored one of his biggest hits to date with his work on Pink Floyd's The Wall. After reteaming with Kiss for 1981's Music from 'The Elder,' he resurfaced in 1984 with David Gilmour's solo About Face. Both Berlin's Count Three and Pray and Rod Stewart's dismal eponymous effort followed in 1986. Ezrin maintained a relatively low profile in the years to follow, most notably producing Pink Floyd's reunion efforts A Momentary Lapse of Reason and The Division Bell. In the 1990s he co-founded 7th Level, Inc., serving as the interactive multimedia entertainment company's Chief Executive Officer.

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